Finney the formalist on his favourite album of 2005, Target's Aim High 2. Must confess that despite repeated attempts I've so far remained underwhelmed by this one--there's something overly clean and thin about most of the productions, and by the end of it I'd heard enough accordion riffs to last a lifetime (apparently they're not actually accordion samples but some synth patch or software function called "musette"). But maybe Tim's close anatomy of its texturhythmic attributes will open it up for me.