New York Times piece by me on electronica feminine a/k/a the new synth women - Laurel Halo, Maria Minerva, Stella OM Source, Sleep ∞ Over, Grimes

(and no, it's not a blunder or a typo - NYT's template couldn't work with the infinity symbol in Sleep ∞ Over)


also: a review I did of Laurel Halo's releases earlier this year