RIP Christopher Priest

 

I think have only read the one book by Christopher Priest - A Dream of Wessex. Read it when it first came out, borrowed from Berkhamsted library (almost certainly the edition pictured above). And then I  read it again in the 2010s, having picked up a hardback of the original US edition (mystifyingly retitled The Perfect Lover) at Glendale's s.f. + fantasy specialist shop Mystery and Imagination (now sadly closed but continuing as a mail order / internet operation). 

I have had copies of Fugue for a Darkening Island and Inverted World awaiting my attention for some time now. 

Two different copies of Fugue. He revised it for a later edition, muting some of its potentially offensive aspects (the scenario is social collapse / fascism in the U.K., caused by an overwhelming influx of refugees owing to war and famine). So when I realised I had bought the 'corrected' version, I had to get the original, didn't I?  (The title itself - "darkening island" -  is questionable... but Priest was no Powellite, indeed he revised the novel because he hated the idea of being misunderstood). 

Been meaning to check out The Glamour (title allures for obvious reasons) and The Prestige  (saw the film) and others in that single-noun-title series-not-series of his 

Reading John Clute's obituary at the Guardian, I see that he also wrote an intriguing WW2 alternative history, The Separation. 

But yes, Christopher Priest - one of those New Wave of British s.f. writers who lit up my mind prior to the plunge into music and music journalism. I'm grateful to all these writers, and their American counterparts. They stirred my imagination (for a while, stirred ambitions too - to become a s.f. and alternative history writer). And they provided escape during a turbulent upbringing. 

Apparently, at his death, Priest was working on a nearly but not quite completed study of J.G. Ballard, his biggest influence and a mentor. Hope that gets put out.