RIP Teo Macero
RIP Joe Gibbs
"a Simon Reynolds level culture blog" ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^"my brain thinks bloglike"
Monday, February 25, 2008
Friday, February 22, 2008
Looking out the window all is white and the flakes are falling thick and steady. Giving me a foretaste of where I'll be one week from today: Minneapolis, to participate in the Spark Festival of Electronic Music and Arts, a conference/performance series involving electronic music of both the experimental avant-classical kind and the techno-rave sort, held annually at the University of Minnesota. On Friday February 29th I'll be giving a sonically-illustrated lecture about London's pirate radio tradition (5PM,Room 230 Anderson Hall) and on Sunday March 2nd I'll be giving a more general talk about electronic dance music's "principles and praxis" (1 PM, Room 225, Ferguson Hall).
Check out the new issue of FACT to which I've contributed a piece on the 20 best 'Bleep' tracks ever made.
Check out the new issue of FACT to which I've contributed a piece on the 20 best 'Bleep' tracks ever made.
Thursday, February 21, 2008
Carl goes one better:
Abbotomized
As in "frontal abbotomy".
And it was staring me in the face all along!
Abbotomized
As in "frontal abbotomy".
And it was staring me in the face all along!
Tuesday, February 19, 2008
well clearly we need a term for the opposite of Wyatting... hipsters falling prey to the pull of the plebeian, their cool crumbling as they helplessly succumb to that caged-in longing to join in....
hmmm, how about....
Abbotized?
as in "oh what an atmosphere/I love a party with a happy atmosphere"...
hmmm, how about....
Abbotized?
as in "oh what an atmosphere/I love a party with a happy atmosphere"...
Wednesday, February 06, 2008
"Sodcasting"--the streets's version of Wyatting*, perhaps?
* also diagnosed/semi-defended by somebody, i forget who, as a doomed, pathos-laden attempt to reassert the social dimension of music, resist the privatisation of public sonic space....
* also diagnosed/semi-defended by somebody, i forget who, as a doomed, pathos-laden attempt to reassert the social dimension of music, resist the privatisation of public sonic space....
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