Showing posts with label GABBA. Show all posts
Showing posts with label GABBA. Show all posts

Sunday, April 11, 2021

Gods of the Hammer


!An exciting addition to the small body of gabber literature! 

Sbrang Gabba Gang: Gabber Reconstruction of the Universe, by Riccardo Balli

By an Italian but in English, written in a style that resembles the LOUD energy of a S.Wells sluiced through the unforgiving yet gleeful anti-humanism of a Biba Kopf, this monograph maps Italian Futurism onto gabba, and vice versa. So it's an intellectual entertainment - penned by one who knows viscerally whereof he speaks... who's sweated and stomped in the four-to-floor forge 'till the crack of dawn, and beyond...  been battered by drop-hammer bassdrum and blasted by hoover-noise...  soaked up the sensations and survived to make sense of the senselessness. 

                                                       


You can get the book here or here or here 

Check out the praxis (deejaying, producing, running a label) to the theory at Balli's Bologna-based operation  sonicbelligeranza.com 




Some of Balli's previous publications




                                                         

Wednesday, March 14, 2018

frozen futures and final sicknesses (see you in 2018)


 

On news stands now, the latest issue of  The Wire contains a long review by me pairing the comeback album by Marc Acardipane a/k.a The Mover with  Sick Music 2018, a compilation of contemporary drum + bass on the Hospital label that I surprised myself by enjoying much more than I'd expected.  As well as an enthused review of two fine records, the piece is an investigation of  the fate of vanguard genres (in this case, gloomcore gabba and D+B) when their accelerationist drive stabilises into a steady state.





The Mover - Undetected Act from the Gloom Chamber.

Also in the April issue, a reet treet for all nuumologists: Michaelangelo Matos's Primer to Pirate Radio Deejay Sets. He's done a fine job laying out the evolution from circa 1989 through to the post-dubstep diaspora and his forensic sifting through the messy mass of archival tapes deposited online by old skool fans has uncovered a trove of true gems. This is probably my favorite of the Matos selections that I've so far checked out.



Finally, in case you missed it, I recently uploaded the best of my own stash of pirate tapes, which I'd digitized some years ago but never got around to turning into YouTube clips.

Monday, March 12, 2012

gabber lives, pt 1

apparently - although the pics of "gabber bitches" and gabber boyz illustrating the Vice piece all turn out to be from 1994-96 if you check the small print



more pix of gabber couture and antics at Gabber Eleganza and at Exactitudes

gabber lives, pt 2



gabber lives, pt 3



are those actually jumpstyle moves?