Mark has a response further explicating his (oops, biographism, beg pardon) position.
I suppose ultimately I don’t really get what he’s talking about when he uses the word “rationality”, now that’s supposed to include emotion and the body?
But judging by the general tenor of his arguments--anti-mammalian, squeamish about emotion--the key word, the one he's got most invested in, is “cold”.
Isn’t thought, however abstractified and supersublimated, always an emotion, though? That’s why the notion of artificial intelligence is a non-starter; what could motivate such an intelligence to be bothered with thinking? Thought without emotion is a sail without wind. You have to have a body, monkeymatic flaws and all, to have the energy and will to think.
Even the impulse to achieve a cold precision of thought is itself an emotional impulse, somatically rooted.
Equivocations? The basic idea is pretty clear, I think. Music, as far as I can tell, belongs to a whole category one could designate with words like “non-sense” and “un-sane”. There’s no point to it, and that’s, sort of, the point of it. Lots of good things in (my) life actually fit those categories, and my response is to affirm that glorious non-utility (I suppose that's the dreaded “vitalism” and Romanticism one hears about? I think these must be the bits in D&G I really like!)
It also strikes me as perhaps not entirely unconnected that since Mark’s been on this cold rationalist tip, he’s barely written anything on music. Perhaps music in its essence is too much an incitement of stuff that’s not in the CR programme.