Sunday, October 30, 2011

some call it hipster house, but John Calvert deserves some kind of
award /reward for this coinage:


just let that roll around your palate for a bit

here's his piece on chill-ravers Stay +


re. hip(ster)house, fellow who goes as RSR informs:

"i'm hearing the name 'homeless house' used by practitioners and scenesters, i.e. geneva jacuzzi and xorar. apparently a hat-tip to jus-ed who started djing for the second time while homeless and using only the six records he still owned"

and adds, accusingly:

"sometimes it seems like you think only certain people should like certain music. sometimes it seems like you think there's an authentic way to like music and a non-authentic way".

to which I say: au contraire, if anything hipster/homeless, it's a little too reverent towards early Chicago/ Detroit, they don’t fuck with the blueprint enough, could definitely be bastardised some more. no, what I do find a little odd, a little off, is this... okay they’re so into house music, but it’s not like there isn’t an ongoing house music culture that is the extension of music that inspires them. So why don't they participate in that, contribute to its furtherance? Could be that they don't like current club culture for social reasons, antipathy re. the sort of people into house-as-is. But it's not like house music has disappeared from the face of the earth and needs to be revived and resurrected. it's not even the case that it's changed so much that a Return to Original Principles is required. so there is the suspicion that hipster house = people whose productions wouldn't cut it on a contemporary dancefloor. Which is not to say that the stuff doesn't have a stand-alone charm and appeal outside that context.


James Grant points me to some "hipster hardcore"

a compilation of the stuff from the label Coral Records which you can hear in its entirety here

and an article about the conceptual framing of the project as "seapunk" (!)

well they've really got the old skool sound on that first track

and the third track, it's more Bukem aquajungle / "dolphin" vibes, so even more attuned to the concept (one does wonder if this "seapunk" is for real or a spoof on micro-genritis within the Zones of Alteration...)

other stuff is more omnivorous/post-everything-dance/digi-maximalist in vibe but cool

talking of "dolphin", there was this Nebula II track "Eye Memory" that sampled dolpin-chatter and was about how a dolphin, once it's met you, will never ever forgot you. i remember it getting played on a pirate as a hot-off-the-press tune and the deejay explaining the concept of "eye memory"... it was an incongruous David Attenborough moment on Touchdown or Destiny or whichever pirate it was...