STRANGE LIMBO BETWEEN XMAS AND NEW YEAR’S EVE READING BONANZA
And a belated merry Boxing Day to our Great Britain and Commonwealth readers!
Worlds of Possibility with tthe Beatnik’s eye view of the year
heronbone with the AvantYob take, + prognosis for Grime in the04
what technicolor got in its Xmas stocking
Woebot sets the tone for 2004 with a splendid ragga-jungle 94 bizniz mix… well I haven’t actually downloaded it yet, it would take about 5 hrs on my set-up, but just the tracklist alone gave me a mighty memory-rush
In the basement, where the storage lockers are, I was looking for the tree decorations, saw a cardboard box fulla cds, ‘oh go on then’. Ah! A rich seam of jungle cd comps. Deemed at some point ‘second division’ and packed away-- what was I thinking? Jungle Hits Volume 2 with lots of Tom & Jerry, junglized versions of dancehall tunes by Capleton, Half Pint, Frankie Paul, Ninjaman), Jungle Hits Volume 3 (with Splash’s incredible “Babylon”--“alla da youth shall witness tha day that Babylon shall FAAAAAAAAALL!”, even more dancehall remakes); Drum & Bass Selection 5 on Breakdown, edging into that spare militant/minimal 95 hardstep/rollers/jump-up sound, still quite a bit of ragga vibe in there though--SS remixing Cutty Ranks ‘Limb by Limb’--H.M.P. [how long did it take me backintheday to realise that stood for Her Majesty’s Prison], Pure’s “Anything Test” as included in the Woebot Mix, stuff by Bizzi B & Pugwash, Rude Bwoy Monty, Zinc, Phantasy, and Ganja Max's fabulous "Rinse Out."
Funny thing, at the time--1994--the ragga-jungle vibe was a tiny bit oppressive just because that was pretty much all you could hear at raves. The only Moving Shadow stuff that got played would be ‘Terrorist’ by Renegade aka Ray Keith (#1 Amen tune ever) or ‘Dred Bass’ by Dead Dred, and they weren’t exactly archetypal Shadow. (And now those tunes sound better than an awful lot of the more "less obvious", "less crowd-pandering" Shadow stuff of the time). But all that ‘ambient jungle’/intelligent-leaning stuff, it got a tiny bit of play on the pirates, but on the floor, forget it: you’d go to an event and it would be wall to wall ragga-jungle and “The Burial” played once an hour. That’s why Speed was initially a sound initiative, just to showcase the stuff that wasn’t get played out. And initially Speed wasn’t at all successful. I don’t think it ever did draw da massive, as such, just a mixture of inner-scene producers and trendies.
Now, in one of the closets, I have a whole box full of Kool FM tapes…
"a Simon Reynolds level culture blog" ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^"my brain thinks bloglike"
Saturday, December 27, 2003
Monday, December 22, 2003
Xmas Reading Bonanza
STOP PRESS: ONE XTRA--da missus on best of teevee 2003
Woebot on his mate Gwen the nutty record collector/dealer--lots of lovely full color scans (note to self: must MUST get a scanner) of the covers of incredibly pricey/obscure records as touted by Gwen. Matt in agony about the $1000 records he covets but can't buy. I am so out of these guys league, i don't think I've ever spent more than $28 in real money on a single slab of vinyl. (When i say real money i mean not the monopoly money you get from Music & Video Exchange when you trade stuff in for exchange which doesn't count cos its promo lead into gold yagetme)
k-punk awakes with a speculation on the future madeleines/involuntary mnemonic triggers for 2003. a hard one to guess, this, the most unlikely tunes remind me of past years, often ones i didn't consciously register at the time or particularly care for
technicolor with an amazingly thorough overview (scroll down a bit) of the year. must concur especially with the comments on Grime (amazing, yes, but it could have moved so much further/faster) and dance (the glut expands but who on earth is buying the stuff?). Exhibiting true obsessive-compulsiveness Jess then returns a bit later with a list of great tunes he forgot to include, reminding me of one i forgot: Kanye West, "Thru the Wire". Love the way that this is basically just a guy playing a portion of one of his favorite records over and over, pitched up ardkore stylee so that Chakha sounds even more heliumgasmic, over this great sloppy-seeming beat. Another fave i forgot: Field Mob, 'Sick of Being Lonely', crunk but amiable, even plaintive.
skykicking with a thought-provoking post on
the disappearance of "rhythmic danger" from drum'n'bass--triggered quite a few thoughts at this end which hope to put down here sooner rather than later
bit late on this one but just in case anyone's not checked it a terrific piece on the 'screwed and chopped' phenomenon in texas rap by tufluv--the entry is Wednesday December 17
todd burns on best xmas album EVER Crunk and Disorderly
--on which subject, i'm no scholar of this particular form, but it strikes me that Ying Yang Twins "Salt Shaker" is a pretty advanced production. Lots of interesting sounds whizzing about in them; multilayered bass noises, farty eruptions. Sorta like Rabelaisian bleep'n'bass, where LFO stands for Lewd Frequency Oscillations. [You have to admire also the frugality of the 'Salt Shaker' video. One location--a fire station; one prop, a fire truck; a few models (c.f. the hundreds of scanty clads in your average rap video). No special FX. If they skipped on catering and just got several tubs of chicken wings and a dozen supersized sodas in , well the budget could come in under.. 10 thousand? That's chicken feed!]
Naked Madja with Part 2 of the epic year round-up.
Interesting comments on Grime's inhumanity and absence of a redemptive vision. I get where marcello's
coming from but for me the coldness and harshness
and uninvitingness of the music IS the humanity, IS the emotion. That's how the world/life has treated these guys and that what's coming out in the music: the sonic equivalent of the skrewface. that was what was fascinating about the Wiley interview at hyperdub, the way he related to the coldness in his music to the
cold rage when he was kicked out by his granny because he'd been getting into trouble
with the law; he felt totally abandoned yet knew it was his fault, except on another level it wasn't,
'society is to blame' -- but that to me shows how there's a total existensial/emotional AND social/political dimension to these bleak impersonal-seeming machinic instrumentals. that said, for sure, there's much tonnage of shite grime trackage or pure functional mc tools
silver dollar circle has a great little rant (might have to scroll down a bit) about all the things wrong with modern culture, i found myself in total agreement, EXCEPT that the trigger for the rant is Daft Punk, who don't to me seem the embodiment of emptiness and blank irony Simon takes them as. Things like "One More Time" and "Digital Love" seem full of pure openhearted love and joy, and also really potent ammunition for those who argue that irony and awe can coexist and are not mortal enemies. (Whereas The Darkness, say, seem like really potent ammunition for the opposed view).
STOP PRESS: ONE XTRA--da missus on best of teevee 2003
Woebot on his mate Gwen the nutty record collector/dealer--lots of lovely full color scans (note to self: must MUST get a scanner) of the covers of incredibly pricey/obscure records as touted by Gwen. Matt in agony about the $1000 records he covets but can't buy. I am so out of these guys league, i don't think I've ever spent more than $28 in real money on a single slab of vinyl. (When i say real money i mean not the monopoly money you get from Music & Video Exchange when you trade stuff in for exchange which doesn't count cos its promo lead into gold yagetme)
k-punk awakes with a speculation on the future madeleines/involuntary mnemonic triggers for 2003. a hard one to guess, this, the most unlikely tunes remind me of past years, often ones i didn't consciously register at the time or particularly care for
technicolor with an amazingly thorough overview (scroll down a bit) of the year. must concur especially with the comments on Grime (amazing, yes, but it could have moved so much further/faster) and dance (the glut expands but who on earth is buying the stuff?). Exhibiting true obsessive-compulsiveness Jess then returns a bit later with a list of great tunes he forgot to include, reminding me of one i forgot: Kanye West, "Thru the Wire". Love the way that this is basically just a guy playing a portion of one of his favorite records over and over, pitched up ardkore stylee so that Chakha sounds even more heliumgasmic, over this great sloppy-seeming beat. Another fave i forgot: Field Mob, 'Sick of Being Lonely', crunk but amiable, even plaintive.
skykicking with a thought-provoking post on
the disappearance of "rhythmic danger" from drum'n'bass--triggered quite a few thoughts at this end which hope to put down here sooner rather than later
bit late on this one but just in case anyone's not checked it a terrific piece on the 'screwed and chopped' phenomenon in texas rap by tufluv--the entry is Wednesday December 17
todd burns on best xmas album EVER Crunk and Disorderly
--on which subject, i'm no scholar of this particular form, but it strikes me that Ying Yang Twins "Salt Shaker" is a pretty advanced production. Lots of interesting sounds whizzing about in them; multilayered bass noises, farty eruptions. Sorta like Rabelaisian bleep'n'bass, where LFO stands for Lewd Frequency Oscillations. [You have to admire also the frugality of the 'Salt Shaker' video. One location--a fire station; one prop, a fire truck; a few models (c.f. the hundreds of scanty clads in your average rap video). No special FX. If they skipped on catering and just got several tubs of chicken wings and a dozen supersized sodas in , well the budget could come in under.. 10 thousand? That's chicken feed!]
Naked Madja with Part 2 of the epic year round-up.
Interesting comments on Grime's inhumanity and absence of a redemptive vision. I get where marcello's
coming from but for me the coldness and harshness
and uninvitingness of the music IS the humanity, IS the emotion. That's how the world/life has treated these guys and that what's coming out in the music: the sonic equivalent of the skrewface. that was what was fascinating about the Wiley interview at hyperdub, the way he related to the coldness in his music to the
cold rage when he was kicked out by his granny because he'd been getting into trouble
with the law; he felt totally abandoned yet knew it was his fault, except on another level it wasn't,
'society is to blame' -- but that to me shows how there's a total existensial/emotional AND social/political dimension to these bleak impersonal-seeming machinic instrumentals. that said, for sure, there's much tonnage of shite grime trackage or pure functional mc tools
silver dollar circle has a great little rant (might have to scroll down a bit) about all the things wrong with modern culture, i found myself in total agreement, EXCEPT that the trigger for the rant is Daft Punk, who don't to me seem the embodiment of emptiness and blank irony Simon takes them as. Things like "One More Time" and "Digital Love" seem full of pure openhearted love and joy, and also really potent ammunition for those who argue that irony and awe can coexist and are not mortal enemies. (Whereas The Darkness, say, seem like really potent ammunition for the opposed view).
Thursday, December 18, 2003
FAVES 2003
TOP 23 DISCRETE SONIC ARTIFACTS
(all categories; unranked)
Junior Boys, "Last Exit"
Dizzee Rascals, "Vexed"
Dizzee Rascal, "Sittin' Here"
Dizzee Rascal, "Do It"
Jammer, "Black Man Freestyle" over "Pulse X" (Luka pirate tape)
Kano, "Boys Love Girls"
Vybz Kartel, "Sweet To The Belly"
Wiley, "Ice Rink" (Wiley juggling all the MC versions in a row live on radio premiere, Luka pirate tape)
Cabaret Voltaire, "Fuse Mountain"
Cabaret Voltaire, "Dream Sequence Number Two Ethel's Voice"
Cabaret Voltaire, "Henderson Reversed Piece Two"
Villalobos, "Dexter"
Bigga-Man, "Trump" or "Funny Song" [still don't know]
Bright Eyes, "One Foot In Front of the Other"
DJWrongspeed, "Talk 'n Ads"
DJWrongspeed, "Old Skool"
Animal Collective, "Panic"
Unknown Artist, "Strings of Death" [imaginary title] + unknown MCs (Luka pirate tape)
LFO, "Blown"
Essentials crew, Deja Vu FM show date unknown (Scud tape)
Hi-Tension, "British Hustle"
Freez, "Southern Freez"
Remarc, "Thunderclap"
TOP 23 SINGLES/TRACKS/VIDEOS
1st Equal/
Dizzee Rascal, "Vexed"
Wiley featuring various MCs, "Ice Rink"
Kano, "Boys Love Girls"
Vybz Kartel, "Sweet to the Belly"
Junior Boys, Birthday EP
Villalobos, "Dexter"
7/ Bigga Man, "Trump" or "Funny Song" [still don't know!]
8/ Lil Jon & the East Side Boyz featuring the Ying Yang Twins, "Get Low"
9/ Bright Eyes, "One Foot in Front of the Other" (off Saddle Creek 50 comp)
10/ Mark One versus Plasticman, "Hard Graft 1/Hard Graft 2"
11/ Outkast, "Hey Ya"
12/ Outkast, "The Way You Move"
13/ Sean Paul, "Get Busy"
14/ Unknown Artist, "Strings of Death" [imaginary title]
15/ The Surgery featuring Mr Bigg Shott, "Shott The Weed"
16/ Kelis, "Milkshake"
17/ Codex & Flexor, "Crazy Girls"
18/ Dizzee Rascal, "Fix Up Look Sharp"
19/ Jon E Cash versus Capleton, "Clear Conscience"
20/ Data 80, "Baby, I Can Forgive (extended mix)"
21/ Black Ops, "Haywire (sub low mix)"
22/ Schneider TM & Kptmichigan, "The Light 3000"
23/ Jammer, "Weed Man"
Runners Up (unranked): Simon Sez, "Shut Ya Mouth", "Golly Gosh"; Sharky Major, "Ain't a Game"; Vive La Fete, "Noir Desir" [heatseeker tune/fastest riser]; Wiley, "Ground Zero", "Frostbite"; K2 Family & Dem Lott, "What! (Secret Service Remix)"; Jammer, "One And Allâ"; Coldplay, "Clocks"; White Stripes, "Seven Nation Army", "The Hardest Button to Button"; Sean Paul, "Like Glue", that one wot versions "Uptown Ranking"; Bonecrusher; Beyonce, "Crazy In Love (unreleased cuz nonexistent vocal free and rap free dubstrumental)"; 50 Cent, "In Da Club"; Tatu, "All The Things She Said", "How Soon Is Now"; Chingy, "Right Thurr"; Lumidee, "Uh Oh" (unreleased cuz non-existent Autotune Pitch-Correct Mix)
TOP 13 ALBUMS/COMPILATIONS
1/ Dizzee Rascal, Boy In Da Corner
2/ Animal Collective, Here Comes The Indian
3/ Villalobos, Alcachofa
4/ LFO, Sheath
5/ N.A.S.T.Y. mix-CD by Jammer, Deuce magazine July 2003
6/ DJWrongspeed, Pirate Flava
7/ Michael Mayer, Fabric13
8/ David Banner, Mississippi: The Screwed and Chopped Album
9/ Ward 21, U Know How We Roll
10/ DJ Scud & Panacea Present The Redeemer, Hardcore Owes Us Money
11/ Various Artists, Crunk & Disorderly
12/ Vybz Kartel, Up 2 Di Time
13/ Soundmurderer + SK-1. I<<
Runners up (unranked): Stars Like Fleas, Sun Lights Down On the Fence; Lightning Bolt; Heroin (Orthlong Musork); Richard X; Ragga Ragga Ragga 2003; Elephant Man; Yeah Yeah Yeahs; Dinky; The Mover; Data 80; Mr. Scruff, Trouser Jazz; Bubba Sparxx; Kraftwerk; Akatombo, Trace Elements (Swim); More Fire Crew; Various Artists, Bricksmack (Drosstik); OutKast; David Toop, Black Chamber; Various Artists, Street Beats Mixed by Slimzee and Femme Fatale Featuring B-Live and Gods Gift; Matthew Dear, releases beyond counting; Platinum Performers 2 Fast 2 Ferocious free cd, Deuce winter 2003; Tobias Thomas, Smallville; Various Artists, Rephlexions; The Bug; Various Artists, The Biggest Dancehall Anthems 2003
TOP 13 REISSUES/RETRO
1/ Cabaret Voltaire, Methodology '74/'78. Attic Tapes;
2/ Soundmurderer, Wired for Sound
3/ The Blue Orchids' The Greatest Hit + EPs (new on LTM/Darla)
4/ Remarc, Sound Murderer
5/ Various Artists, British Hustle: the Sound of British Jazz-Funk from 1974 to 1982
6/ Factrix, Artifact
7/ 23 Skidoo, The Culling Is Coming
8/ Al Green, The Immortal Soul of Al Green
9/ Pyrolator, Ausland
10/ Essential Logic, Fanfare in the Garden
11/ Television, Marquee Moon and "The Dream's Dream" on Adventure
12/ Jean Cohen-Solal, Flute Libres/Captain Tarthoporn
13/ Arthur Russell, The World of Arthur Russell
Runners up (unranked); King Sunny Ade, The Best of the Classic Years; Palais Schaumburg; Animal Collective/Avey Tare & Panda Bear, Danse Manatee/Spirits They've Gone, Spirits They've Vanished; Metal Urbain; Various Artists, Cool As Ice; The Door and the Window; Nervous Gender; Fred Frith, Guitar Solos; Bad Company [not the rock band silly]; Lory D; Ultramarine remixes; Roy Ayers anthology; Bad Brains; Charalambides; Various Artists, Nice Up The Dance; The Passage, Pindrop/Degenerates/Enflame/For All and None
UNOFFICIAL COMPILATIONS
(unranked)
Grievous Angel Soundsystem vol 1: Nervous Ragga (P. Meme)
Radio-Phonic+ (J. House)
The Forbidden Zone, 1967-73 (J. Savage)
In The Sprawl, Vol 1 and Vol 2 (T. Finney)
Beta Lounge Record Club Shipment no. 13 (P. Sherburne)
Bounce Alliance: New Orleans, Miami, London/Swizz (M. Ingram)
Speed Garage 'Lost Classics' (M. Ingram)
Longhair Round Up 2003 (M. Ingram)
Australian Post Punk Vols 1-4 (J. Dale)
Robert Haigh, Vol. O: Before Breaks Began (M. Gascoigne)
Omni Trio, The Eps #1/Works #2 (S. Reynolds)
OLDSTUFF: NOT REISSUED BUT REDISCOVERED/REVELATORY
Home T/Cocoa Tea/Shabba Ranks's "Pirates' Anthem"
Human League/Martin Rushent, Love and Dancing
Gong, Camembert Electrique/Flying Teapot/You
Donald Fagen, The Nightfly
The Meters, Rhino double-Cd
Thomas Leer, 4 Movements/Contradictions
The Residents, The Commercial Album
Tubeway Army, Replicas
Gary Numan, The Pleasure Principle
Lard Free, oeuvre entiere
Byrds, Younger Than Yesterday
Goblin, Suspiria
Boston,"More Than A Feeling" (especially video on VH1 Classic)
Anthony Red Rose, "Tempo"
Dirtsman, "Hot This Year"
Guru Guru, Hinten
Love, Forever Changes, "7 & 7 Is"
Madness, many tunes
The Beat, first album, "Too Nice To Talk To"
The Specials, first two albums, singles
UB40, "The Earth Dies Screaming"
The Fall, oeuvre entiere
Black Chiney, Mixes 1 to 128 (chest ya Mr. Maplestone)
ON THE FENCE
Basement Jaxx
Matmos
Speicher
Sylvian
!!!
OFF THE FENCE
Luomo
UNACCOUNTABLY LOST ALL APPETITE/CURIOSITY
Jay-Z
Missy/Timbaland
Neptunes
Radiohead
OVEREXPOSED
Pharrell's face
Pharrell's falsetto
IN MY STOCKING PLEASE SANTA
(hint hint hint)
Miles, Jack Johnson five-cd box; Shirley Collins, box + Love, Death and the Lady; Pitman; Scott Walker box; Ze compilations;
Sub Rosa electronic anthologies; Linda Perhacs; Nurse with Wound, Soliloquy for Lilith 3-CD; Soft Machine BBC sessions; Annette Peacock I'm The One; Topic folk box; David Toop book; Bangs anthology
WORDS
The usual suspects (my cru my dogz BLOGGAZ 4 Life believe it m8 ---er, cough, I say chaps, keep on keeping on, eh?!); Deuce; Paul Morley, Words and Music (even though it's wrong), Greg Tate, Hendrix bk (bit short though innit); Eric Hobsbawm, Interesting Times.
OTHER
The Office series 1; Italian postwar politics; Scottish people; Sheffield people; Bedekar Pickles, Kieran Press-Reynolds; Da Missus; the endless treasure of VH1 Classic; Bridget Riley retrospective at the Tate; short but sweet six days summer sojourn in London, with no rain!
UNFAVES (NON-MUSIC)
The Office series 2; virtually everything on TV; domestic politics; global politics; woes of various sorts cutting dark swathes across the lives of friends and contemporaries.
MOST ANTICIPATED FOR 2004
Wiley album; N.A.S.T.Y. and/or Jammer albums; Dizzee #2; a proper Streets release would be nice eh Mike; Junior Boys full length; more Arfur Russell reissues; Animal Collective/Avey Tare/Panda Bear overload; 10 yrs since 1994 junglizm nostalgia in overdrive (started already, just couldn't wait); finishing the book.
PREDICTIONS/WISHFUL THINKINGS
Rap gets worse before it gets better; dancehall gets better before its gets worse; grime stays level AND underground BUT 3rd pirate radio hardcore continuum win in a row for Mercury; continuum's yin/yang light/dark musical/antimusical pendulum swings the other way in the form of a 2step revival (dis one 4 da ladeez massif); microhouse abruptly peters out, just like that; MACROhaus (Felix 'Don't You Want My Love' meets Giselle Jackson 'Love Commandments' meets The Mover meets Energy 52 'Cafe Del Mar') blows up ENORMOUS; Jay-Z comes out of retirement; Marcello Carlin comes out of retirement; Madonna gets Screwed; David Stubbs, Kodwo Eshun, and Paul Kennedy start blogs; nu-metal just, like, totally ENDS leaving all the weird hair 'n' bad beard bands as stranded and fucked as Poison Warrant etc were circa grunge; mysterious but aesthetically-astute virus cause out all post-Green Day/Blink 282 pop-punk vocalists to permanently lose their perky puppy-like overmelodious voices, hooray!; mid-Eighties revival begins in earnest, Williamsburg rife with bands imitating Kitchenware sound and Ron Johnson roster; Kane Gang The Triffids and Balaam & the Angel reform for School Disco: The Bad Music Era; bottom drops out of the mutant disco/negroclash market and Hip-House, New Beat and possibly even Hi-NRG are the new hotzones.
IN CONCLUSION
Merrie Xmas, and hope y'all get whatcha want in and for the 04.
TOP 23 DISCRETE SONIC ARTIFACTS
(all categories; unranked)
Junior Boys, "Last Exit"
Dizzee Rascals, "Vexed"
Dizzee Rascal, "Sittin' Here"
Dizzee Rascal, "Do It"
Jammer, "Black Man Freestyle" over "Pulse X" (Luka pirate tape)
Kano, "Boys Love Girls"
Vybz Kartel, "Sweet To The Belly"
Wiley, "Ice Rink" (Wiley juggling all the MC versions in a row live on radio premiere, Luka pirate tape)
Cabaret Voltaire, "Fuse Mountain"
Cabaret Voltaire, "Dream Sequence Number Two Ethel's Voice"
Cabaret Voltaire, "Henderson Reversed Piece Two"
Villalobos, "Dexter"
Bigga-Man, "Trump" or "Funny Song" [still don't know]
Bright Eyes, "One Foot In Front of the Other"
DJWrongspeed, "Talk 'n Ads"
DJWrongspeed, "Old Skool"
Animal Collective, "Panic"
Unknown Artist, "Strings of Death" [imaginary title] + unknown MCs (Luka pirate tape)
LFO, "Blown"
Essentials crew, Deja Vu FM show date unknown (Scud tape)
Hi-Tension, "British Hustle"
Freez, "Southern Freez"
Remarc, "Thunderclap"
TOP 23 SINGLES/TRACKS/VIDEOS
1st Equal/
Dizzee Rascal, "Vexed"
Wiley featuring various MCs, "Ice Rink"
Kano, "Boys Love Girls"
Vybz Kartel, "Sweet to the Belly"
Junior Boys, Birthday EP
Villalobos, "Dexter"
7/ Bigga Man, "Trump" or "Funny Song" [still don't know!]
8/ Lil Jon & the East Side Boyz featuring the Ying Yang Twins, "Get Low"
9/ Bright Eyes, "One Foot in Front of the Other" (off Saddle Creek 50 comp)
10/ Mark One versus Plasticman, "Hard Graft 1/Hard Graft 2"
11/ Outkast, "Hey Ya"
12/ Outkast, "The Way You Move"
13/ Sean Paul, "Get Busy"
14/ Unknown Artist, "Strings of Death" [imaginary title]
15/ The Surgery featuring Mr Bigg Shott, "Shott The Weed"
16/ Kelis, "Milkshake"
17/ Codex & Flexor, "Crazy Girls"
18/ Dizzee Rascal, "Fix Up Look Sharp"
19/ Jon E Cash versus Capleton, "Clear Conscience"
20/ Data 80, "Baby, I Can Forgive (extended mix)"
21/ Black Ops, "Haywire (sub low mix)"
22/ Schneider TM & Kptmichigan, "The Light 3000"
23/ Jammer, "Weed Man"
Runners Up (unranked): Simon Sez, "Shut Ya Mouth", "Golly Gosh"; Sharky Major, "Ain't a Game"; Vive La Fete, "Noir Desir" [heatseeker tune/fastest riser]; Wiley, "Ground Zero", "Frostbite"; K2 Family & Dem Lott, "What! (Secret Service Remix)"; Jammer, "One And Allâ"; Coldplay, "Clocks"; White Stripes, "Seven Nation Army", "The Hardest Button to Button"; Sean Paul, "Like Glue", that one wot versions "Uptown Ranking"; Bonecrusher; Beyonce, "Crazy In Love (unreleased cuz nonexistent vocal free and rap free dubstrumental)"; 50 Cent, "In Da Club"; Tatu, "All The Things She Said", "How Soon Is Now"; Chingy, "Right Thurr"; Lumidee, "Uh Oh" (unreleased cuz non-existent Autotune Pitch-Correct Mix)
TOP 13 ALBUMS/COMPILATIONS
1/ Dizzee Rascal, Boy In Da Corner
2/ Animal Collective, Here Comes The Indian
3/ Villalobos, Alcachofa
4/ LFO, Sheath
5/ N.A.S.T.Y. mix-CD by Jammer, Deuce magazine July 2003
6/ DJWrongspeed, Pirate Flava
7/ Michael Mayer, Fabric13
8/ David Banner, Mississippi: The Screwed and Chopped Album
9/ Ward 21, U Know How We Roll
10/ DJ Scud & Panacea Present The Redeemer, Hardcore Owes Us Money
11/ Various Artists, Crunk & Disorderly
12/ Vybz Kartel, Up 2 Di Time
13/ Soundmurderer + SK-1. I<<
Runners up (unranked): Stars Like Fleas, Sun Lights Down On the Fence; Lightning Bolt; Heroin (Orthlong Musork); Richard X; Ragga Ragga Ragga 2003; Elephant Man; Yeah Yeah Yeahs; Dinky; The Mover; Data 80; Mr. Scruff, Trouser Jazz; Bubba Sparxx; Kraftwerk; Akatombo, Trace Elements (Swim); More Fire Crew; Various Artists, Bricksmack (Drosstik); OutKast; David Toop, Black Chamber; Various Artists, Street Beats Mixed by Slimzee and Femme Fatale Featuring B-Live and Gods Gift; Matthew Dear, releases beyond counting; Platinum Performers 2 Fast 2 Ferocious free cd, Deuce winter 2003; Tobias Thomas, Smallville; Various Artists, Rephlexions; The Bug; Various Artists, The Biggest Dancehall Anthems 2003
TOP 13 REISSUES/RETRO
1/ Cabaret Voltaire, Methodology '74/'78. Attic Tapes;
2/ Soundmurderer, Wired for Sound
3/ The Blue Orchids' The Greatest Hit + EPs (new on LTM/Darla)
4/ Remarc, Sound Murderer
5/ Various Artists, British Hustle: the Sound of British Jazz-Funk from 1974 to 1982
6/ Factrix, Artifact
7/ 23 Skidoo, The Culling Is Coming
8/ Al Green, The Immortal Soul of Al Green
9/ Pyrolator, Ausland
10/ Essential Logic, Fanfare in the Garden
11/ Television, Marquee Moon and "The Dream's Dream" on Adventure
12/ Jean Cohen-Solal, Flute Libres/Captain Tarthoporn
13/ Arthur Russell, The World of Arthur Russell
Runners up (unranked); King Sunny Ade, The Best of the Classic Years; Palais Schaumburg; Animal Collective/Avey Tare & Panda Bear, Danse Manatee/Spirits They've Gone, Spirits They've Vanished; Metal Urbain; Various Artists, Cool As Ice; The Door and the Window; Nervous Gender; Fred Frith, Guitar Solos; Bad Company [not the rock band silly]; Lory D; Ultramarine remixes; Roy Ayers anthology; Bad Brains; Charalambides; Various Artists, Nice Up The Dance; The Passage, Pindrop/Degenerates/Enflame/For All and None
UNOFFICIAL COMPILATIONS
(unranked)
Grievous Angel Soundsystem vol 1: Nervous Ragga (P. Meme)
Radio-Phonic+ (J. House)
The Forbidden Zone, 1967-73 (J. Savage)
In The Sprawl, Vol 1 and Vol 2 (T. Finney)
Beta Lounge Record Club Shipment no. 13 (P. Sherburne)
Bounce Alliance: New Orleans, Miami, London/Swizz (M. Ingram)
Speed Garage 'Lost Classics' (M. Ingram)
Longhair Round Up 2003 (M. Ingram)
Australian Post Punk Vols 1-4 (J. Dale)
Robert Haigh, Vol. O: Before Breaks Began (M. Gascoigne)
Omni Trio, The Eps #1/Works #2 (S. Reynolds)
OLDSTUFF: NOT REISSUED BUT REDISCOVERED/REVELATORY
Home T/Cocoa Tea/Shabba Ranks's "Pirates' Anthem"
Human League/Martin Rushent, Love and Dancing
Gong, Camembert Electrique/Flying Teapot/You
Donald Fagen, The Nightfly
The Meters, Rhino double-Cd
Thomas Leer, 4 Movements/Contradictions
The Residents, The Commercial Album
Tubeway Army, Replicas
Gary Numan, The Pleasure Principle
Lard Free, oeuvre entiere
Byrds, Younger Than Yesterday
Goblin, Suspiria
Boston,"More Than A Feeling" (especially video on VH1 Classic)
Anthony Red Rose, "Tempo"
Dirtsman, "Hot This Year"
Guru Guru, Hinten
Love, Forever Changes, "7 & 7 Is"
Madness, many tunes
The Beat, first album, "Too Nice To Talk To"
The Specials, first two albums, singles
UB40, "The Earth Dies Screaming"
The Fall, oeuvre entiere
Black Chiney, Mixes 1 to 128 (chest ya Mr. Maplestone)
ON THE FENCE
Basement Jaxx
Matmos
Speicher
Sylvian
!!!
OFF THE FENCE
Luomo
UNACCOUNTABLY LOST ALL APPETITE/CURIOSITY
Jay-Z
Missy/Timbaland
Neptunes
Radiohead
OVEREXPOSED
Pharrell's face
Pharrell's falsetto
IN MY STOCKING PLEASE SANTA
(hint hint hint)
Miles, Jack Johnson five-cd box; Shirley Collins, box + Love, Death and the Lady; Pitman; Scott Walker box; Ze compilations;
Sub Rosa electronic anthologies; Linda Perhacs; Nurse with Wound, Soliloquy for Lilith 3-CD; Soft Machine BBC sessions; Annette Peacock I'm The One; Topic folk box; David Toop book; Bangs anthology
WORDS
The usual suspects (my cru my dogz BLOGGAZ 4 Life believe it m8 ---er, cough, I say chaps, keep on keeping on, eh?!); Deuce; Paul Morley, Words and Music (even though it's wrong), Greg Tate, Hendrix bk (bit short though innit); Eric Hobsbawm, Interesting Times.
OTHER
The Office series 1; Italian postwar politics; Scottish people; Sheffield people; Bedekar Pickles, Kieran Press-Reynolds; Da Missus; the endless treasure of VH1 Classic; Bridget Riley retrospective at the Tate; short but sweet six days summer sojourn in London, with no rain!
UNFAVES (NON-MUSIC)
The Office series 2; virtually everything on TV; domestic politics; global politics; woes of various sorts cutting dark swathes across the lives of friends and contemporaries.
MOST ANTICIPATED FOR 2004
Wiley album; N.A.S.T.Y. and/or Jammer albums; Dizzee #2; a proper Streets release would be nice eh Mike; Junior Boys full length; more Arfur Russell reissues; Animal Collective/Avey Tare/Panda Bear overload; 10 yrs since 1994 junglizm nostalgia in overdrive (started already, just couldn't wait); finishing the book.
PREDICTIONS/WISHFUL THINKINGS
Rap gets worse before it gets better; dancehall gets better before its gets worse; grime stays level AND underground BUT 3rd pirate radio hardcore continuum win in a row for Mercury; continuum's yin/yang light/dark musical/antimusical pendulum swings the other way in the form of a 2step revival (dis one 4 da ladeez massif); microhouse abruptly peters out, just like that; MACROhaus (Felix 'Don't You Want My Love' meets Giselle Jackson 'Love Commandments' meets The Mover meets Energy 52 'Cafe Del Mar') blows up ENORMOUS; Jay-Z comes out of retirement; Marcello Carlin comes out of retirement; Madonna gets Screwed; David Stubbs, Kodwo Eshun, and Paul Kennedy start blogs; nu-metal just, like, totally ENDS leaving all the weird hair 'n' bad beard bands as stranded and fucked as Poison Warrant etc were circa grunge; mysterious but aesthetically-astute virus cause out all post-Green Day/Blink 282 pop-punk vocalists to permanently lose their perky puppy-like overmelodious voices, hooray!; mid-Eighties revival begins in earnest, Williamsburg rife with bands imitating Kitchenware sound and Ron Johnson roster; Kane Gang The Triffids and Balaam & the Angel reform for School Disco: The Bad Music Era; bottom drops out of the mutant disco/negroclash market and Hip-House, New Beat and possibly even Hi-NRG are the new hotzones.
IN CONCLUSION
Merrie Xmas, and hope y'all get whatcha want in and for the 04.
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