Wednesday, March 14, 2018
frozen futures and final sicknesses (see you in 2018)
On news stands now, the latest issue of The Wire contains a long review by me pairing the comeback album by Marc Acardipane a/k.a The Mover with Sick Music 2018, a compilation of contemporary drum + bass on the Hospital label that I surprised myself by enjoying much more than I'd expected. As well as an enthused review of two fine records, the piece is an investigation of the fate of vanguard genres (in this case, gloomcore gabba and D+B) when their accelerationist drive stabilises into a steady state.
The Mover - Undetected Act from the Gloom Chamber.
Also in the April issue, a reet treet for all nuumologists: Michaelangelo Matos's Primer to Pirate Radio Deejay Sets. He's done a fine job laying out the evolution from circa 1989 through to the post-dubstep diaspora and his forensic sifting through the messy mass of archival tapes deposited online by old skool fans has uncovered a trove of true gems. This is probably my favorite of the Matos selections that I've so far checked out.
Finally, in case you missed it, I recently uploaded the best of my own stash of pirate tapes, which I'd digitized some years ago but never got around to turning into YouTube clips.
Posted by SIMON REYNOLDS at 7:28 PM
Labels: drum and bass, GABBA, GLOOMCORE, HARDCORE CONTINUUM, HOSPITAL RECORDS, MARC ACARDIPANE, MICHAELANGELO MATOS, NUUM, PIRATE RADIO, PIRATE TAPES, THE MOVER, The Wire
Subscribe to: Posts (Atom)