Showing posts with label HAUNTLOGY. Show all posts
Showing posts with label HAUNTLOGY. Show all posts

Tuesday, August 01, 2023

Hauntology Parish Newsletter - Harvest Edition - Lo Five; eMMplekz; A Year in the Country; Belbury Poly

 Spied in the window of Book Nook!




























Cover Design by Rachel Laine

Alerted by Folk Horror Revival - detective work by John Coulhart at { feuilleton }


Also to be seen on the shelves of the Book Nook  





















Yes, a new tome from the prolific Stephen Prince  -  A Year in the Country: Lost Transmissions: Dystopic Visions, Alternate Realities, Paranormal Quests and Exploratory Electronica













It follows swiftly on the heels of last year's A Year in the Country: Cathode Ray and Celluloid Hinterlands: The Rural Dreamscapes, Reimagined Mythical Folklore and Shadowed Undergrowth of Film and Television  - and the three A Year in the Country books that preceded that! With another two tomes not in the series, that makes seven in total.

I don't know how Stephen does it...  I feel like a right slow-poke in comparison.

^^^^^^^^^^^^

Talking about prolific fellows, Lo Five has a very nice new record, Persistence of Love, recently released on Castles in Space. Inhabiting that muzzy grayscale sound that is all his own. Makes you feel as if there's a film across your ears - like looking at a landscape with reduced visibility caused by light rain. Suits these unseasonably overcast and damp days here in England. 

Here's Neil's release rationale: 

"This collection of tracks came about during a period of transition for me, from changing the way I wanted to make music to a method that was more intuitive and free-flowing. I spent a lot of time experimenting with sequencing and different bits of hardware I'd acquired. I was also playing around with an old four track cassette recorder, which was loads of fun. I think the end result feels a little broader in sound and composition as all but one of these tracks were the result of recording a live jam down to a stereo mix. I recorded dozens of these until I'd found 'the one'.

"That way of capturing a performance really excites me, it's like a crystallised moment in time when the planets have aligned. When you're really absorbed into the flow of it and there's something extra guiding you.

"Thematically, it all reflects this ongoing interest I have in consciousnesses, spiritual enlightenment, truth realisation, whatever you want to call it. At the time I'd been reading a lot about advaita, which is Sanskrit for 'not two', or what western spiritual teachers call non-duality, where it's seen there is no separation between anything, no individual self, no subject and object, just this infinite eternal consciousness. I read a few of the classic teachings from gurus such as Ramaana Maharishi, Jiddu Krishnamurti and Nisargadatta Maharaj, which reflect modern accounts of contemporary teachers like Richard Rose, Jan, Frazier and Rupert Spira.

"There seems to be this slow reconciliation between ancient eastern spiritual teachings and western psychology and neuroscience. That really fascinates me and seems to filter through to whatever I'm working on."


^^^^^^^^^^^

Unexpected silo seepage from a retiree of this parish! A trio of remixes by Baron Mordant of eMMplekz fan favorite, "Gloomy Leper Techno" - also on Castles in Space

Emission transmission: 

The collaborative eMMplekz project between Baron Mordant and Ekoplekz ran itself ragged from 2012-2016 and yielded some of their most satisfying work for the Mordant Music label - the Baron had finally found his voice in a skip behind Poundland and let his fetid alphabet loose across Ekoplekz’s mouldy electronic battlefield…lyrical Escher abstractions married to Cy Twombly soundscapes at a time when maybe only the Sleaford Mods were harrowing similar ground, albeit more commercially…the project bowed out on a low high with the ‘Rook to TN34’ album and the “Cheers mate, bye” lyric pinging off every surface…in 2022 with that still naggingly in mind the Baron set out on reframing ‘Gloomy Leper Techno’ in some different shades and the resulting ‘MMongrel versions’ were picked up by Castles in Space for this 12” vinyl

release…njoi/endure…IBM, Hastings 2023.

 

GLT scrawl:

“Cheers mate, bye

I see rooftops in Staines, people as drains (cheers mate, bye)

The bee in the bonnet humming Ashcroft’s ’Sonnet’ (cheers mate, bye)

Rhyming’s like climbing, surmounting a fountain (cheers mate, bye)

Wanking the walk, tanking the talk (cheers mate, bye)

A dismal day in every way (cheers mate bye)

Bandcamp’s digital damp (cheers mate bye)

I want you to follow thru…why is it you let him in?

Cheers mate, bye.”





^^^^^^^^^^^^^^^^^

Finally, there's a new Belbury Poly album out  on Ghost Box in a few days time - The Path

It's unusual - a full-band sound, incorporating a spoken-word element. And the voice speaks in an American accent!



Wednesday, June 01, 2022

Hauntology Parish Newsletter

Cranking the mimeograph to bring you a smatter of summertime tidings.

^^^^^^^^^^^^^^^^^^

New from  Lo Five, the EP Lack - marbled fog blocs for fuzzy heads ("Thicc Air", one of these four tracks is titled - and sounds like it).  

^^^^^^^^^^^^^^^^^^

Moon Wiring Club have only just made the most recent releases, Ghost Party Delirium CD and Ghost Party Delirium LP (completely separate records) digitally available on Bandcamp. These I slept on a bit, arriving very late in 2021 as they did, but the CD in particular - a double - has resurged as listening for me recently and I recommend a deep delve.  I got stuck on this one tune "The Original Phantom Roller", entranced by its descending-and-ascending reverbed B-line and hall-of-mirror recession of  lady voices ("watch the light!", "who's real, then? Me - or you"). Having played it  at least thirty times now, I feel certain it would make an all-time MWC Top Twenty.  Another killer is this crepuscular creeper with slap-bass twinges as unexpected and alarming as a tendon snapping. 

^^^^^^^^^^^^^^^^^^

Another oldie but goodie - really old in fact, and really good (among the Top Five Greatest Hauntological Recordings Ever) - is something whose first-time vinyl reincarnation bypassed me some months ago: Dead Air by Mordant Music. One of that first cluster of albums that made it clear something was happening that needed monitoring and monikering, the CD's mustard-hued fold-out has been gorgeously scaled up into a gatefold elpee by Castles in Space, with new artwork from Admiral Greyscale worked in there. And the audio has been remastered for vinyl - hear here the new edition's first side of dankly glistening glory. 


^^^^^^^^^^^^^^^^^^

Beautify Junkyards have just released the lovely and eerie film Cosmorama Moving Images. A creative ruse around the challenges of touring in a locked down world, it documents a live performance by the band in a space  teeming with video projections, with surrealistic interludes involving spoken word from Justin Hopper of Old Weird Albion renown. "The environment becomes labyrinthine and the band's vibrant performance seems to induce the formation of spatial and temporal portals that spectators are invited to cross." Inspirations include Victorian London's Cosmorama rooms and the experimental film maker Stan VanDerBeek.  

You can see the movie at Vimeo On Demand. 

^^^^^^^^^^^^^^^^^^

Not really from this parish - but let's say he's an exchange student - Estonian pop aesthete Mart Avi has an  excellent new album out, Blade

^^^^^^^^^^^^^^^^^^

Canadian exchange student Samuel Macklin (better known as  connect_icut) has a collaborative project with Larissa Loyva called The Bastion Mews. Their latest emanation is this eddying haze of songspace titled "Sinking" and paired with the songspacier "Sinking Dub". It's the second in a series of singles - check out also last month's "Sweet" b/w "Sweet Dub."

^^^^^^^^^^^^^^^^^^

A postcard from our Italian twin town Artetetra foretells an imminent ectoplasmic apparition: Loris Cericola's Metaphysical Graffiti.  

Release rationale: 

Best described as an obscure, dadaist sound collage, the album was realized entirely by experimenting with an array of tape cut-ups and analog sound manipulation techniques. A set of live improvisations performed with an assemblage of 4-tracks tape recorders, testing the possibilities offered by the textural audio qualities of cassettes. With an imagery shaped by Ed Wood-style geographic and fictional tropes, Metaphysical Graffiti stands as an aural alternative to a subcultural cave painting. The album is an ill-defined conglomerate of unintelligible folklore, flimsy remote voices and phony, signal-like transmissions. A fragmentary listening conjuring the instability of shortwave explorations and the ominous vibes of waking up in the middle of the night after falling asleep in front of a television in an unfamiliar locale. The samples and soundbites emerging from the minimal tracks’ backbone originate from a careful collection built through time by the musician and is composed of miscellaneous forgotten sales bin recordings, abstruse midnight home movies and haphazard library music pieces. Although the ten songs show a tendency towards supernatural, at times eldritch overtones, the work is surprisingly balanced by a direct simplicity. An atmosphere crafted through delicate distension of time and scattered synth themes. For the most part, Metaphysical Graffiti builds on liminal ambiances reminding of the early James Ferraro and Joel Vandroogenbroeck’s "Biomechanoid", crafting a long moment of discontinuous suspension akin to slow opium phantasmagorias. A space crawling with dimensional spooks drawn in sedative-induced reveries and practical-effects era delusions. 

Full waft due June 17

^^^^^^^^^^^^^^^^^^

Finally, I recommend a good dig through our local library's record section. In amongst the budget classical, brass band and Bread albums, you can find some unexpected gems. Like these Eiretronica albums from the 1970s!























For the full story about these releases, go to the Miúin Archives. 

There is also a new curated compilation of work made at the Kilkenny Electroacoustic Research Laboratory in the 1960s, '70s and '80s. 

"The Kilkenny Electroacoustic Research Laboratory was informally set up in late 1965 by Jacinta Delaney (1937 -) and Eoghan Comerford (1935 -). They were inspired by Groupe de Recherches Musicales after Comerford visited the RTF in Paris in ’64..... The purpose of this collection is an introduction to a selection of works by key characters in the development of K.E.R.L. The structure of the collection gives a general outline of the development of the works throughout the history of the Lab, but it is no way comprehensive."