Showing posts with label MNML SSGS. Show all posts
Showing posts with label MNML SSGS. Show all posts
Monday, February 06, 2012
mnml sggs's PC on two good aspects of 2011, first of them being collaborations
this struck me as wonderfully nuanced assessment of where music is at: the bounty of harvesting a crop, or crops plural, that were sowed long ago
"Several of these collaborations produced exceptional, if unsurprising results. A lot of them were my favourite records to actually listen to. Again, this is unsurprising, given that we’re dealing with well-established projects and, well, middle-aged dudes and dudettes who’ve really nutted out their approaches to sound. This is why, fundamentally, I think of the best of these as culmination records, recordings that cash out a bunch of ideas that have been kicking around for the past decade or more. But/so: not that exciting, really. And also, you know, I really hope that each is kind of the ‘last one’ in its sequence or series. For the sake of transformation. Culmination, then conclusion, then... rip it up, and start again. To continue on these trajectories would be to court the trage-comedy of true repetition. Add in more time, and you’ll endup with farce, if Woody A is to be believed. But being careful, culminating collaborations between people who really, really know their shit, these records are also very satisfying, if you give them your full attention. Repeat: they are amazing to actually listen to."
the second good aspect of last year was mixtapes, and he provides some examples/links to favourites - a couple of which i'd heard and would also recommend highly -- Moon Wiring Club at FACT, Mark Van Hoen at Pontone. And I must have missed the Endless House Foundation one, i'll have to check that out and the others recommended.
Mixtapes = "a feast" as PC says, but then again since their provenance trawls so far and wide and so atemporally, you might say that they too are a banquet based in harvesting crops planted long ago
this struck me as wonderfully nuanced assessment of where music is at: the bounty of harvesting a crop, or crops plural, that were sowed long ago
"Several of these collaborations produced exceptional, if unsurprising results. A lot of them were my favourite records to actually listen to. Again, this is unsurprising, given that we’re dealing with well-established projects and, well, middle-aged dudes and dudettes who’ve really nutted out their approaches to sound. This is why, fundamentally, I think of the best of these as culmination records, recordings that cash out a bunch of ideas that have been kicking around for the past decade or more. But/so: not that exciting, really. And also, you know, I really hope that each is kind of the ‘last one’ in its sequence or series. For the sake of transformation. Culmination, then conclusion, then... rip it up, and start again. To continue on these trajectories would be to court the trage-comedy of true repetition. Add in more time, and you’ll endup with farce, if Woody A is to be believed. But being careful, culminating collaborations between people who really, really know their shit, these records are also very satisfying, if you give them your full attention. Repeat: they are amazing to actually listen to."
the second good aspect of last year was mixtapes, and he provides some examples/links to favourites - a couple of which i'd heard and would also recommend highly -- Moon Wiring Club at FACT, Mark Van Hoen at Pontone. And I must have missed the Endless House Foundation one, i'll have to check that out and the others recommended.
Mixtapes = "a feast" as PC says, but then again since their provenance trawls so far and wide and so atemporally, you might say that they too are a banquet based in harvesting crops planted long ago
Labels:
ATEMPORALITY,
COLLABORATIONS,
MIXTAPES,
MNML SSGS
Friday, January 27, 2012
terrific controlled rant from mnml sggs's PC on "comfort house" (and by implication all music-as-comfort-food* scenarios), inspired by two mixes suffocated by politesse and the feeling of having "heard it all before’":
"it could have been mixed 12 years ago and not sounded any different. In fact, if it were mixed 12 years ago, it would be very likely to sound exactly like it does. I've been thinking about this for some time, and I've decided that it really matters. Making a mix from 2000 in 2012... it matters. Well, it may not matter to you. But it matters to me... For me there is something unbearably complacent at work in the decision to make this mix in 2012... This weird over-reverence that makes you want to desecrate things you love and care about... is this how punks felt?"
"it could have been mixed 12 years ago and not sounded any different. In fact, if it were mixed 12 years ago, it would be very likely to sound exactly like it does. I've been thinking about this for some time, and I've decided that it really matters. Making a mix from 2000 in 2012... it matters. Well, it may not matter to you. But it matters to me... For me there is something unbearably complacent at work in the decision to make this mix in 2012... This weird over-reverence that makes you want to desecrate things you love and care about... is this how punks felt?"
Labels:
ATEMPORALITY,
COMFORT HOUSE,
HYPERSTASIS,
MNML SSGS
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